Artistic Director Timothy Sheader scores tops marks yet again for his venue’s annual musical. Sheader has wowed with grown-up and demanding shows before, but in this production of Tim Rice and Andrew Lloyd Webber’s concept album/rock opera even the glitter is gritty. This abbreviated Passion of Christ could win converts with its charged staging of ‘The Flagellation’ alone.
Updates to the music are respectful, coming mostly from the vocals. The score feels fresh and the rock guitars aren’t just retained, they are revelled in. More startlingly contemporary is choreographer Drew McOnie’s work and the athleisure clothes from designer Tom Scutt. Jesus and the apostles aren’t hippies but hipsters. It makes sense. Flares, glitter, a glam-Rocky-Horror outfit for Peter Caulfield’s excellent Herod and Judas’ hands dripping in silver paint, show carefully colour-coded scenes. All aided by Lee Curran, whose lighting for the finale is breath taking.
Sheader emphasises community (those ‘Shoreditch’ touches have a point). This is a big cast and it encircles the auditorium before mounting the stage, grabbing microphones and playing around with the stands, cultivating the idea this being a concert. The performative angle provides insight into the piece. And such a commanding use of the ensemble adds emotion as those who followed Jesus quickly turn, to hound him, then demand his death.
There are as many superstars on stage as you could pray for. Anoushka Lucas is an excellent Mary, making the most of her show-stopping number. Tryone Huntley (above) is a faultless Judas, with a soaring range and tremendous power. As the lead, Declan Bennett may strike you as lacking charisma – his Christ is introspective – but when power is called for Bennett delivers and his acting is astonishingly focused. Moments when it is difficult to hear what Bennett is singing are an especial pity, given that these are Tim Rice’s best lyrics. It’s testament to the strength of the production that a normally fatal flaw does little to diminish the power of this revelatory show.
Until 27 August 2016
Photos by Johan Persson